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"Rain, Steam and Speed – The Great Western Railway" - J. M. W. Turner

1844

If you're new to this newsletter here’s how it works:

Each morning I spend a few minutes searching the internet for an old painting or similar that I think looks cool (professional I know). Today it was this painting of a somewhat abstract scene with a steam train:

(View the full sized image here)

I then give identifying info about the work to Perplexity with the instructions to research it and tell me all the interesting things it can about said work.

Rain, Steam, and Speed: Turner's Mesmerizing Vision of the Industrial Age

In this captivating masterpiece from 1844, J.M.W. Turner transports us to a dramatic moment where nature and technology collide in spectacular fashion. A powerful steam locomotive emerges through sheets of rain, barreling directly toward the viewer across the Maidenhead Railway Bridge. The scene pulses with movement and energy as rain pounds against metal and brick, creating an almost palpable sense of wetness and sound. A small hare—nature's own symbol of speed—races desperately along the tracks ahead of the train, engaged in what appears to be a futile contest against the unstoppable force of industrialization. Below, the River Thames flows quietly, carrying a small skiff, while girls dance carefree on the distant shore, and a ploughman steadfastly turns the soil with his horses—all seemingly oblivious to the thundering marvel of modern engineering above them123.

A Moment Captured in Time and Steam

The painting depicts a specific location—the brick Maidenhead Railway Bridge crossing the Thames between Taplow and Maidenhead. In the background stands Taylor's stone road bridge, built in the 1770s, creating a striking visual contrast between old and new engineering23. When viewed from this perspective, we are looking east toward London, while the Firefly-class locomotive pulls its train of roofless carriages westward toward Bristol or Exeter2.

What makes this moment so compelling is that it might have been inspired by Turner's own experience. According to historical accounts, the painting may have originated from a real journey Turner took on the Great Western Railway in 1843. This experience was apparently documented in a letter written by Jane O'Meara (later Lady Simon) to the art critic John Ruskin4. Imagine Turner himself, perhaps seated in one of those open carriages, feeling the rain against his face as the train thundered across Brunel's controversial bridge—a structure that skeptics had claimed would lack stability due to its innovative design of long, low-height arches2.

The Symphony of Technique and Meaning

Turner's genius lies not just in what he painted but how he painted it. The canvas comes alive through extraordinary technical innovation. In some areas, the oil paint is applied so thinly it resembles watercolor; in others, there is heavy impasto creating actual texture3. The virtuoso swirls, slashes, smears, and sprays of paint—often applied with a palette knife—don't just represent rain and steam but seem to physically embody these elements3.

The composition employs exaggerated one-point perspective with the viaduct's lines creating orthogonals that draw the eye toward the vanishing point, dramatically enhancing the sense of speed3. The only truly defined elements are the bridge structure and the train's chimney with its white-hot interior—suggesting the dominance of these man-made, mechanical forms over the natural world that dissolves into atmospheric abstraction around them3.

A Visual Philosophy of Progress

This painting is far more than a mere landscape; it's a profound meditation on a pivotal moment in human history. Created in the midst of the Industrial Revolution, it captures the awe-inspiring yet somewhat terrifying power of new technology12. The trains of 1844 could travel up to 50 miles per hour—a speed that seems modest today but was revolutionary in an era when people had previously only traveled by foot or horse12.

The contrast between old and new England is deliberately emphasized. The ploughman continuing his ancient work while the train rushes by creates a poignant juxtaposition3. The hare racing ahead of the locomotive symbolizes the traditional world's futile competition with industrial progress3. There's both excitement and melancholy in this vision—a recognition of incredible advancement alongside nostalgia for what might be lost.

Critical Reception and Legacy

When first exhibited at the Royal Academy in 1844, the painting provoked strong reactions. Novelist W.M. Thackeray declared that "the world has never seen anything like this picture," while noting the unusual technique: "The rain... is composed of dabs of dirty putty slapped on the canvas with a trowel; the sunshine scintillates out of very thick and smeary lumps of chrome yellow."3

Turner's rival, Constable, described it as "painted with tinted steam"—perhaps both a criticism and an acknowledgment of how perfectly Turner had captured the essence of his subject3. The work's abstracted nature would later influence impressionist Claude Monet during his visits to London in the 1870s, creating a direct line of influence to modernism3.

The Artist Behind the Vision

Joseph Mallord William Turner (1775-1851) was one of Britain's most revolutionary painters, often called "the painter of light." This work came late in his career, when he had already established himself as a master of atmospheric landscape painting. Through paintings like "Rain, Steam, and Speed," Turner demonstrated his remarkable ability to not just document the world changing around him, but to capture the emotional and philosophical implications of that change, cementing his legacy as an artist who could see beyond the visible into the very spirit of his age134.

And that's it!

If you have any details you think Perplexity left out, reply to this email and I'll adjust my prompt to nudge it to include it next time.

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Thanks for reading!

-JP

Current prompt: I want you to create a newsletter post describing the fun and exciting stories around a painting. It should be a newsletter read for leisure and should be an enjoyable read (not just a list of facts) here's what you’re gonna do: Find the name of the following painting in its original language and any alternative names it goes by. Then Research the painting and give me blurb telling me all you can about the artist, the historical context/events it was created in, the style, the materials used, the composition and visual elements, the story/underlying message, what inspired the work/what it meant to the author, and whatever other info you find that helps give a complete understanding of the work. A description of what is depicted (mention subjects) should be the first thing, while the “biography” of the artist should be last. Besides that you are free to present the information in a concise and captivating way, with the most interesting and novel stuff closest to the top. Order the presentation of information for which pieces have the most compelling and interesting story to tell. At least some of the description should be formatted like a story. [for example: a couple sits on a bench watching the sunset while a man next to them…]. ONLY include information that is for THIS SPECIFIC PAINTING. you will find info on paintings similar to this one but NOT this one. OMMIT INFO ABOUT SUCH PIECES.